- The Peter Levin Band - $25
- Dookey Shoe - $25
- Robert Leslie - $20
- Marty Balin $30 General Admission | $40 Preferred
- Mike Peters of The Alarm $25 General Admission / $40 Preferred Seating
- Brazilian Jazz Eve feat. HENDRIK MEURKENS & GABRIEL ESPINOSA QUINTET - CD-Release Party for SAMBA LITTLE SAMBA - $25
08/20 8:00 PM & 10:00 PM - $32.50.00
Jazz Funk Soul Tour with Jeff Lorber, Everette Harp and Chuck Loeb
Stretching the envelope has been Lorber’s strategy from the very beginning. Born in Philadelphia in 1952, Lorber began playing piano when he was just four years old. By his teen years, he had hooked up with several local R&B bands, but his tastes trended more toward jazz when he studied at Berklee College of Music.
After college, he relocated to Portland, Oregon, where he formed the Jeff Lorber Fusion. The group released their self-titled debut album in 1977, and quickly became one of the most popular acts in the jazz fusion scene, due in large part to relentless touring and a string of artistically daring and commercially successful recordings.
The entity formerly known as the Jeff Lorber Fusion became Lorber’s solo career with the release of It’s a Fact in 1982. After a brief but prolific stretch culminating with the highly successful Private Passionin 1986, Lorber took a break from recording his own material, opting instead to do session work and produce other artists. He resumed his solo career in 1991 with Worth Waiting For, although he continued to produce for the remainder of the decade.
Lorber has been just as prolific and innovative in the new century as he was in the last, with recordings on Narada (Philly Style, Flip Side), Blue Note (He Had a Hat), and most recently Peak (Heard That).
Everette Harp started playing piano at two, and began practicing saxophone at the age of four. The youngest of the eight children of a minister, gospel music was one of Harp’s earliest influences. Harp started playing jazz in high school, and graduated from North Texas State University with a music major in the early 1980s. While there he joined Phi Beta Sigma. Working as an accountant for a short time, Harp played in local Houston bands, most notably a local jazz/funk group called The Franchise, which released its own album locally, which included the first recording of Harp’s “There’s Always Hope” in 1987. Harp moved to Los Angeles in 1988. He immediately toured briefly with Teena Marie, and then internationally with Anita Baker. In 1992, Harp released his self-titled solo debut.
Soon after, Harp played at the Montreux Jazz Festival, and began weekly appearances on The Arsenio Hall Show. He continued to play & tour with notables, including Chaka Khan, George Duke, Chante Moore, Anita Baker, John Tesh, Kenny Loggins, Brenda Russell, Marcus Miller, and Dianne Reeves. Harp is also known for his performances with Marcus Miller, David Sanborn and Wayne Shorter. In recent years Harp has reduced his side gigs to focus on his solo career. Harp has also performed at the Omaha Blues, Jazz, & Gospel Festival held annually in North Omaha, Nebraska in August. He also performed on “Soul Train ’93″ (Know You Like to Dance)” with the rap group Naughty by Nature in 1993.
More than just a jazz guitar player, Chuck Loeb is the consummate musician. In a career that spans four decades, he has proven himself to be a versatile composer, arranger and producer in a wide range of musical styles and contexts. In addition to crafting a fine discography of his own and producing albums for a number of other high-profile artists, his resume also includes music for commercial jingles and a variety of television programs and motion pictures. Whatever your personal tastes in music, media, entertainment or popular culture, chances are good that you’ve had at least a passing acquaintance with the work of Chuck Loeb.
Throughout his early years in the Big Apple, Loeb began making a name for himself as a sideman with jazz luminaries such as drummer Chico Hamilton, Latin percussionist and bandleader Ray Barreto, flutist Hubert Laws and various others. He also continued his musical studies with a vengeance, often practicing up to eight hours a day.
Concurrent with his solo career, Loeb also recorded with Metro, a four-piece contemporary jazz combo that included keyboardist Mitch Forman, drummer Wolfgang Haffner and a succession of bassists: Anthony Jackson, Victor Bailey and Mel Brown. Metro cut four albums on the Lipstick and Hip Bop labels between 1994 and 2002. In addition, Loeb played with the Fantasy Band with bassist John Lee, drummer Lionel Cordew and several session players. The Fantasy Band recorded three albums on DMP and Shanachie between 1993 and 1997.
After nine years and seven solo albums, Loeb left Shanachie and joined Heads Up in late 2006. Presence, his Heads Up debut, is scheduled for worldwide release on January 24, 2007. The new album celebrates the importance of the human element in the creative process. “Nowadays, there’s a lot of music that gets created in a laboratory,” says Loeb. “We all have computers, and we do things long distance. But it never ceases to amaze me how, as soon as you put the live musicians into the equation, it’s their presence that brings the thing to life. That’s the idea behind the album title – the effect that an individual’s personality has on the music, both in the context of a recording and in a live setting.”